Korai Öröm: Volume Zero

Korai ÖrömOne of Ozrick's soul-tenticles, Hungarians Korai Öröm's instrumentation is unconventional for space rock: whistle, jew's harp, khoomei, trumpet, fuyara, tilinko, drum (tending to bongo), plus Santana-styled guitar. Progrock with folk flair? Her compositions are patched together out of recorded jams. Never peanut butters! Volume Zero, released in 2007, compiles work from the previous 7 studio and 2 live albums. According to Emil Biljarski, one of the musicians with the band the longest, recordings pale to their 1.5 - 3 hour long improv sets, with casts of up to 13, accompanied by delusional visuals. If tribal space jam band is your stys, better go check them out! In their hometurf Budapest, if possible. Where tribal outer space jam makes its first bid as a genre. Korai Öröm: Volume Zero - lollipopshop.de, A-Musik.

sm 18 Jun 07

MOUTHUS

Best of the recent Our Mouth stuff is the first Sullivan solo CD-R. Sullivan's comes under the name Eskimo King, and /Tooth-Shaped Migration/ is five thick, detailed chunks of sound spread over a quick 17 minutes. What I dig most about Sullivan is his wide-open outlook on what sounds are worth making. Mouthus may concoct a lot of deep, textured noise, but they also use acoustic guitar loops, dirgey metal-like stomps, polyrhtyhmic meditations, busted rock riffs, and tons more. (noiseweek.blogspot.com)

„Nein, nein, kein Soundtrack! Wir kombinieren nur die Stücke auf unseren Alben - wir schneiden erstmal alles auf Band mit, um dann, vielleicht Monate später, zu sagen: Oh, das hier passt ja thematisch zu diesem Stück und auch zu jenem. Oder: Dieses Stück würden zu jenen Anderen passen, wäre es nicht so grottenschlecht. Also: Trash it.” Brian Sullivan/HE Interview

MOUTHUS the final tribes

ESKIMO KING bear, un-bear

Interview Nate Nelson/Popcorn Youth

Interview Brian Sullivan

Korai Öröm: Volume Zero

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